The photographer's career guide to shooting production stills for film and television / Jace Downs ; illustrations by Pedro Rodriguez Ornelas.
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Item type | Current library | Call number | Status | Date due | Barcode |
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Lagos Study Centre | TR817 .D69 2022 (Browse shelf(Opens below)) | Available | 0815069 | |
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Minna Study Centre | TR817 .D69 2022 (Browse shelf(Opens below)) | Available | 0193539 | |
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Minna Study Centre | TR817 .D69 2022 (Browse shelf(Opens below)) | Available | 0193540 |
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TK7887 .M83 2006 Upgrading and Repairing Laptops | TL500 .B69 1980 Knights of the air / | TR817 .D69 2022 The photographer's career guide to shooting production stills for film and television / | TR817 .D69 2022 The photographer's career guide to shooting production stills for film and television / | TR899 .B73 2000 Cinema and cultural modernity / Cinema | TS155 .K85 2008 Production and Operations Management. (With Skill Development, Caselets, and Cases ) | TS156 .E92 1999 The management and control of quality / |
Includes index.
What is unit photography? -- How production stills are used -- Why unit photography is a great job -- So what's the catch? -- A final word about the pros and cons -- A day in the life of a unit photographer -- Production vs distribution -- Production roles and departments -- Key on set phrases -- Set etiquette, priorities and politics -- Working with "sensitive" talent -- Equipment overview -- Selecting a camera system -- Selecting lenses -- Computer hardware and software -- Travel lighting kit -- Protecting, acclimating and carrying your cameras -- Weather gear -- Insurance and pro-gear organizations -- Looking back and ahead -- How to read a call sheet -- The lay of the land -- Who and what to shoot -- Getting complete coverage -- Shooting positions on set -- Camera settings for unit photography -- Editing and image delivery -- Beyond publicity stills -- Tips for starting your career -- Who hires unit photographers -- Developing a client base -- The camera union -- Image rights -- In conclusion.
"Based on the author's real-world experience, this book provides a comprehensive guide on how to develop a professional career and client base as a unit stills photographer in the entertainment industry. Industry veteran, Jace Downs, takes readers behind the scenes as he explores production from the perspective of a unit stills photographer. Honest and entertaining, chapters cover the production environment, set etiquette, equipment, dealing with difficult talent, shooting on set, developing a client base, joining the union, and much more. Accessible to those within and outside of the entertainment industry, this book is ideal for intermediate level photographers looking to expand their skillset and client base, as well as for aspiring photographers who would like more insight into photography work in entertainment production"--
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