| 000 | 01762nam a2200193Ii 4500 | ||
|---|---|---|---|
| 020 | _a9781316840993 (ebook) | ||
| 082 | 0 | 0 | _a346.4104/8 |
| 100 | 1 | _aCooper, Elena, | |
| 245 | 1 | 0 |
_aArt and modern copyright : _bthe contested image / _cElena Cooper |
| 264 | 1 |
_aCambridge : _bCambridge University Press, _c2018 |
|
| 300 | _a1 online resource (xix, 282 pages) | ||
| 490 | 1 | _aCambridge intellectual property and information law ; | |
| 500 | _aTitle from publisher's bibliographic system (viewed on 30 Aug 2018) | ||
| 520 | _aThis book is the first in-depth and longitudinal study of the history of copyright protecting the visual arts. Exploring legal developments during an important period in the making of the modern law, the mid-nineteenth to early twentieth centuries, in relation to four themes - the protection of copyright 'authors' (painters, photographers and engravers), art collectors, sitters and the public interest - it uncovers a number of long-forgotten narratives of copyright history, including views of copyright that differ from how we think today. As well as considering the distinct nature of the contribution of copyright to the history of the cultural domain accounted for by scholars of art history and the sociology of art, this book examines the value to lawyers and policy-makers today of copyright history as a destabilising influence: in taking us to ways of thinking that differ from our own, history can sharpen the critical lens through which we view copyright debates today | ||
| 650 | 0 | _aCopyright | |
| 856 | 4 | 0 | _uhttps://www.cambridge.org/core/product/identifier/9781316840993/type/BOOK |
| 856 | 4 | 0 | _uhttps://go.ohiolink.edu/goto?url=https://www.cambridge.org/core/product/identifier/9781316840993/type/BOOK |
| 942 |
_2lcc _cBK |
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| 999 |
_c14153 _d14153 |
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